
Njeno ustvarjanje ostaja zavezano intimni eksistencialni izkušnji, kjer se vedno znova podaja na introvertirano iskanje notranjih osebnih in zasebnih doživljajev in počutij. Ob avtoričinem raziskovanju umetnosti kot terapije so se začele rojevati impulzivne podobe, za katerimi se je največkrat skrival močan čustven naboj. V katarzičnih risbah in slikah lahko še vedno najdemo sledi kiparke, ki se med drugim kažejo v bogatih nanosih barve na platno. Intuitivnost, priklic in povezava s (preteklimi) občutji in hrepenenji so omogočili nezaveden prihod besed, ki v delih delujejo spontano, igrivo in sproščeno.
Z razstavo »I have to go /// bollocks« umetnica nadaljuje s postavljanjem vprašanj identitete, dojemanja žensk in ženskosti, seksualnosti, (razočarane) ljubezni in hrepenenja po njej. Kot sama pravi, ko ustvarja je brez cenzure. Tako ne slači le figur, ampak nam pokaže kako se osvoboditi družbenih norm, pravil in teže »normalnosti« ter ustvariti vsaj prepih za patriarhalno postanost.
Having lived and worked abroad for ten years, illustrator, painter and sculptor Maja Babič Košir returns home to present her first solo exhibition (of paintings) here. As is typical for her, the works displayed will reflect the author’s search for beauty in life rather than pain and sorrow.
Her work remains committed to intimate existential experience, always embarking on an introverted search for personal and private happenings and moods. The artist’s research into art as therapy has led to impulsive images, which, in most cases, were hiding a strong emotional charge. The cathartic drawings and paintings yet contain the traces of a sculptor, such as thick layers of paint on canvas. Intuition, evocation and connection with (past) feelings and longing have enabled an unconscious appearance of words. When appearing in her works, they have a spontaneous, playful and relaxed effect.
In the exhibition “I have to go /// bollocks”, Babič Košir continues to pose questions of identity, the perception of women and femininity, sexuality, (disillusioned) love and longing for love. According to herself, she knows no censorship when creating. Her figures are not the only thing she lays bare: she also shows us how to break free of social norms, rules and the weight of “normality”, and how to cause the draught, at least, to aerate the patriarchal mustiness.
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Education | Upload TimePublished on 28 Oct 2018 |
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